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SPARROW Holdings
  • 14160 photographs

  • 6771 media slides

  • 609 documentaries in 7 languages

  • 585 popular films in 11 languages

  • 4888 books in 11 languages

  • 4448 journal articles in 7 languages

  • 21025 newspaper clippings in 8 languages

  • 274 Private Papers

  • 1983 brochures in 9 languages

  • 3042 News Paper Cartoons

  • 3578 print visuals

  • 1714 posters

  • 120 calendars

  • 8000 cartoons by Maya Kamath

  • 649 music audio-cassettes / C.Ds

  • 550 Oral History recordings

Silver Jubilee Celebration Programme

Our Projects




7 Oral History Workshops covering a wide range of women's experiences of:

Freedom movement
Pioneering Science studies
Dalit life, expression and rights
Tribal life and struggles
Urdu poetry
Communalism, violence and human rights.

Communalism, violence and women Sakhubai Gavit

Interactive Workshops with Students: Oral History

Oral history workshops are an integral part of the projects organised by SPARROW. Women's songs, folk-songs, ballads and stories have traditionally constituted the oral history of our culture. This time-honoured mode of the spoken word is a living presence among us still and has a contemporary relevance. Giving voice and language to experiences that have hitherto remained muted and marginalized becomes an important act in the preservation of oral histories. Articulating what has been silenced, would, moreover, lead to communication, sharing and interaction. In the course of two years SPARROW invited a number of women to speak to small audiences. These are women, whose lives, however interesting, have remained hidden, and whose experiences, however relevant, have remained unheeded. After every workshop SPARROW brought out a booklet based on the proceedings of the workshop, in the form of a biographical note. Following are the workshops SPARROW held from 1994 to 1999 on some issues and with women from various walks of life.

Communalism, violence and women. Talking about love, hatred, fear and despair.

Kala Shahani: A freedom fighter.

Shanta Gandhi, Sudha Padhye, Shantoo Gurnani, Wijaya Altekar

Four women whose lives have been linked with Science.

Urmila Pawar is a Marathi writer whose stories are based on Dalit experiences of living, working and existing.

Sakhubai Gavit, a tribal activist, hails from Bandhgar village, Megapada, Dahanu Taluk.

Jameela Nishat, from Hyderabad, writes poetry in Urdu.

Peace and Communal Harmony

Bhakti Kaur and Harbans
Kaur, two women affected by the communal riots of 1984, share their experiences along with Dr.Kalpana Shah and Sushoba Barve who talk of later riots.




6 Visual History Workshops on:

Traditional sculpture
Traditional painting
Classical dance
Contemporary theatre
Theatre journalism

Damayanti Joshi

Interactive Workshops with Students: Visual History

Visual History Workshops form a very important part of the SPARROW agenda. Every woman artist has to work within a social and cultural context in which her gender is a constant factor -- adding, deleting, enhancing and reducing, all at one time, the quality of her learning process and her work. SPARROW Visual History Workshops have been interested in the way women create space for their expressions and the way they retain that space, sometimes by manipulating a given space, sometimes by creating a new space and sometimes by transforming a given space to make way for different expressions. These workshops were attempts to introduce people to experiences of various artists and their visual work. SPARROW invited artists whose life and careers provide us an opportunity to know how women live and function as artists. The Visual History Workshops were recorded on video. SPARROW also brought out a booklet after each workshop in the form of a biographical note, based on the proceedings of the workshop and on the video recordings done at the residence and workplace of the artist. Following are the artists who were guests at the visual history workshops SPARROW held from 1997 to 1998.

Pramila, a film star of the early Hindi cinema.

Kanaka Murthy, a traditional sculptor.

Damayanti Joshi, the renowned Kathak dancer and teacher.

Sushama Deshpande is an actress who calls herself a theatre journalist.

Maya Krishna Rao is a Kathakali dancer and a theatre artiste.

Neela Panch is a painter who paints in the traditional Mysore style of painting.




Film-viewing workshops on:

Love, Romance and the Family in popular films Images, Lyrics and Song-picturisation in popular films.

Love, Romance and the Family
Images, Lyrics and Song picturisation


Interactive Workshops with Students: Visual History
Theme: Love, Romance and the Family
15th - 18th December 1997
  Interactive Workshops with Students: Visual History
Theme: Images, Lyrics and Song Picturisation
19 - 22 December, 1998 
Relationships within the family and romantic relationships outside have been major themes around which the popular cinema has been constructed. Films like Anarkali and Devdas have become film metaphors for tragic love and love destroyed by the family and the society. Young people today see many popular films which are variations of the same themes of family, love and romance but the stress of the education system does not allow them to look at them critically or understand the values and concepts espoused in the films. SPARROW felt it would be a good idea to hold a film viewing workshop where young people can see old and new films leisurely and discuss what these films contain and how they view relationships and where they place women in the family and in society. Alpana Parikh, a journalist, and Professor Prabodh Parikh initiated and moderated the discussion for the High School and college students.   Songs form a major part of Indian Films. Popular cinema is structured around religious songs, lullabies, songs on family relationships, philosophical songs, tragic songs on various situations of life and love songs. These songs have become very much a part of our daily life. Hindi cinema has existed for many years now and over the years the song situations, the locations, the lyrics, the tune and the pace and presentation of the songs have changed. The way a song looks at objects, places and people, specially women, has undergone a lot of changes. This film-viewing workshop was organized to perceive these changes and understand them for what they are. Young people normally see films for entertainment and do not have the time to view them from a historical perspective. This workshop provided them an opportunity to see and listen to Hindi film songs from the Black and White era to the present times in ways in which they normally are not able to do. Film-makers Madan Bawaria and Vishnu Mathur initiated the discussion with High School and college students.



Two Summer Workshops for American University Undergraduates on:

Women in Indian History and Culture through dialogue, discussions, demonstrations, readings and talk-sessions with SPARROW publications and video documentation as foundational material in collaboration with State University of New York at Oswego.

Summer Workshop 1999 Session with Prof. Jeroo Mulla
Summer Workshop 2000 Session with Dr. Neera Desai


   One day workshops at SPARROW

SPARROW conducts one-day and two-day workshops with college students from India and abroad based on its archival material on women.